You can read our interview with Holland here. Composer: LaFaro Scott LaFaro was an American jazz musician whose technique on the double bass left an indelible impression on future artists even though he died in a car accident in 1961 when he was just 25 years.. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. LaFaro continued to divide his time between Getz, Ornette, and Evans in 1961. Security video shows a crash in the Reseda neighborhood of Los Angeles which left a driver dead. This page was last edited on 24 February 2023, at 08:03. In a December 29, 1960 letter addressed to his lover Gloria Gabriel, the dancer to whom he dedicated Glorias Step, he wrote, One important thing is that I realize day by day the true artist and musician is becoming more and more meaningless in terms of public comprehension. A record like this could easily have become just a mood disc: sound as fuzzy, woolly painting, in which the experiment becomes an end unto itself, the gesture, the gambit, being everything. . We had to have a strong rhythm section and he was definitely of that caliberHe was a dedicated personintolerant of anyone who wasnt giving his best., https://www.youtube.com/watch?v=Ngs04EXtDwk. Scott LaFaro - Artist Details. (, This page was last edited on 15 February 2023, at 23:36. Tracks. - The Absolute Sound Scott LaFaro's Pieces of Jade features long-lost material recorded in New York City shortly before the bassist's death in a car accident in 1961. His records with Bill Evans are among the finest jazz trio discs ever made. Composers. Both Nat Hentoff and Ralph J. Gleason took note. Hes just so damn elegant. So even a low speed accident which would be survivable in today's cars, would be a mess in an older car. Scotty sort of led the way on the bass becoming a solo instrument in its own right. Right there on stage, Stan stopped playing and yelled, MF, Ive got the melody! Notwithstanding flair-ups of this kind, Kuhn says that Getz held LaFaro in the highest regard. The BMW then struck a fourth car which was traveling south on Corbin Avenue. When did your brother start getting interested in music? By. Sound-carver. Read More Joe Williams: Beyond the Blues, As a JazzTimes writer, I can talk about the powers of a dynamic drummer until Im blue in the face: the weight of each tom-toms Read More Chops: What Bassists Listen for in Drummers, America's jazz resource, delivered to your inbox. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock . LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York, [5] on U.S. Route 20 between Geneva and Canandaigua, [9] four days after accompanying Stan Getz at the Newport Jazz Festival. Places to dine, drink, stay near the Smith Opera House, A word of caution about buying tickets on the secondary ticket market. This Third Stream affair has jazz as a major tributary vein, and it has LaFaro to thank for it. Scotty grew up in Geneva, where his father Joe, whod played with the Paul Whiteman and Dorsey Brothers orchestras, earned a living as a violinist and shared his fondness for both classical music and big band jazz with his children. LaFaro started his professional career playing a German-made Mittenwald double bass but it was stolen in the Spring of 1958. Labels. Performers: Pat Moran, p; Scott LaFaro, b; Gene Gammage, d. 1958. LaFaro is a potent cup of teaa brilliant future is in store for this youthful bassist from Geneva, N.Y., (Film footage ofLaFarois extremely rare. As weve already noted regarding the time period right around his tragic death, LaFaro packed a lot of art into his days. He wanted the conversation back and forth between each of the players, and he wanted to play melody. He waited until we got interested, and then he was totally supportive. He played sessions at the Lighthouse in Hermosa Beach, and roomed with fellow bassist Charlie Haden, who recalled the first time LaFaro mentioned Bill Evans. We would explore all around our neighborhood on West Street our house was where the elementary school is. His records with Bill Evans are among the finest jazz trio discs . I was 19 and working. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. That show typically includes stories about LaFaro, who forever changed the jazz worlds concept of what bass playing could accomplish with his counter-melodic style. It is still so wild to me that he was so influential. Scott was extremely picky and choosy, and he wanted to call the trio. LaFaro-Fernandez, Helen; Ralston, Chuck; Campbell, Jeffrey R.; Palombi, Phil (2009). The Sampson Air Force Base was so big that it brought in big names like Duke Ellington. ~ Charles A. Ralston, A Site About Dead Musicians and how they got that way. A professor encouraged him to audition for an open spot in the Buddy Morrow Orchestra. we do worse! His most recent books are an entry in the 33 1/3series on Sam CookesLive at the Harlem Square Club, 1963, a volume about the 1951 film Scrooge as the ultimate work of cinematic terror, and the story collection, If You [ ]: Fabula, Fantasy, F**kery, Hope. Create an account to follow your favorite communities and start taking part in conversations. Performers: Ornette Coleman, as; Don Cherry, c; Scott Lafaro, b; Ed Blackwell, d. New York City, 31 Jan 1961. That is what so many families Sunday ritual were like. Q: What happened to your brother after Ithaca College? What kind of influence did your father have on your brothers music? LaFaro-Fernandez: Dad (Joe LaFaro) never forced us to play music. Scott LaFaro was born 64 years ago . Like Evans, Kuhn, whod arrived on the New York scene in 1959 as a 21-year-old Harvard grad, was being managed by Helen Keane. Once he got the gig, his college days were over. By City News Service. In Meet Me at Jim & Andy's: Jazz Musicians and Their World, Gene Lees wrote, "The shock of LaFaro's death stayed with Bill for years, and he felt vaguely guilty about itHe felt that because of his heroin habit he had made insufficient use of [their] time togetherAfter LaFaro's death, Bill was like a mane with a lost love, always looking to find its replacement. https://www.youtube.com/watch?v=PNqSL3xGW70, The Evans Trios appearance at the Village Vanguard opposite Lambert, Hendricks & Ross in June 1961 culminated with the legendary recordings made on the last day of the two-week engagement, Sunday, June 25. Brother man, I can all but hear Ornette saying, we are going to blow some minds tomorrow.. Lafaro's innovative bass playing, which combined virtuoso technique with a counter-melodic conception, was captured in all its glory at the Vanguard on June 25, 1961. He was with Buddy Morrows band (1955-56), toured with Chet Baker (1956-57) and worked during the next few years with Ira Sullivan, Barney Kessel, Cal Tjader and Benny Goodman among others. Scott was already playing like that with Bill., Recorded on November 29, 1960, the four-song session wasnt officially released until 2005. After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. Performers: Chet Baker, tp; Phil Urso, ts; Francy Boland, p; Larance Marable, d; Scott LaFaro, b. In addition to hosting Jazz la Mode since 1984, Tom writes the jazz blog and produces the Jazz Beat podcast at NEPM. He says they formed an immediate friendship, and that musically, Id never felt such an instant connection. And how does it go? ~ Scott Yanow. We also spent time at the First Presbyterian Church choir. Hentoff heard LaFaro as the most important new bassist since Paul Chambers and Wilbur Ware, and added, It may be necessary to add for those hearing LaFaro for the first time that his bass is not electronically amplified. LaFaro joined the Bill Evans Trio in 1959 and, although he would record with Ornette Coleman (including Free Jazz) and gig with Stan Getz, the bassist is best-remembered for his association with Evans, particularly their Village Vanguard recordings of 1961. Ornette drew mixed reviews everywhere including Monterey, where his performance of Youll Never Know elicited a scathing review from John Tynan, who said it was patently bad, disturbed, and utterly unhappy. Still, he singled out LaFaro for his brilliant technique and ideas [that] were remarked on by all., Scotty was given to introspective thoughts about where the music was going and what he recognized as the increasing distance between jazzs new direction and the public. Rocco Scott LaFaro, in a career that lasted only six years, developed skills on the upright bass that few have been able to match. While driving home late one nighthis car went off the road and struck a tree. A driver was killed when a car crashed into a home in the Hancock Park . Stan said fine. Kuhn and drummer Pete LaRoca were Scottys choices, but in the midst of a two-week engagement at the Sutherland Hotel on Chicagos Southside, LaFaro had got tired of LaRocas playing. He heard what I was doing at the piano, and I heard what he was doing. Upon returning to L.A., LaFaro phoned his friend Herb Geller, who was then playing alto with Benny Goodman in New York. Well, Michael Cera did play a bassist in Scott Pilgrim Vs. the World. For much of 1958, LaFaro was with pianist/vibraphonist Victor Feldman's band. Our Dad was from here. Scotty had the concept for a trio to be conversational instead of the classic structure, instead of bass and drummer just keeping time. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. The album included five tracks recorded in New York City during 1961 with pianist Don Friedman and drummer Pete LaRoca.[13]. Advice and guidance to those interested in building a library of jazz recordings. Evans stopped performing for several months. Brooklyn, NY The other day at school someone mentioned Red Mitchell taking the bass which was in the car crash that killed Scott LaFaro back to Kolstein's in pieces, and Kolstein, fairly recently, restored it. There is also a street off of Seneca Street, just across from the Smith Opera House, that has been renamed Scott LaFaro Way. I was 19 and working. Bill had first heard Scotty with Chet Baker three years earlierNot long after we were back off the Goodman tour, there was a call waiting for Scottythat Bill wanted him to work with him., The first meeting of what became known as the trio took place at a Tony Scott recording date on October 28 and 29, 1959. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. Also, the exertion of a formidable musical will to take what was there, in an act of guidance. On date night, people would end up at The Smith. LaFaro took the opportunity, and he was the trios helmsman. The great bassist is best known for his work with the Bill Evans Trio between 1959 and 61, and for the tragic car accident that claimed his life on July 6, 1961, two weeks after the trios legendary performance at the Village Vanguard. Tales are told of how much John Coltrane practiced, but you could say the same about the bassist from Newark. She had lost her husband, then four years later lost her son, and she still had young kids to raise. Chicago, 1956. The highlight of the session was Scotts original, Misery (to Lady Day). Evans biographer Peter Pettinger said of the dedication to Billie Holiday, Not much happens, but a wavelength is established. And youre out, Death letyou out, Death had the Mercy, youre done with your century, done with God, done with the path thru itAllen Ginsberg (b. Tom Reneys writings delve into the history and mystery of jazz, blues, and beyond. He told Helene that Scott lived for the bassHe was looking all the time to play. [5] He left that organization to work in Los Angeles. I would love to see it. Let us be grateful that he didnt rest easy during what would prove to be the last Christmas season of his life, for in December 1960, he was called in for a couple of dates that we must look to every bit as much as the June 1961 Village Vanguard recordings to fully appreciate him. Scott LaFaro at Newport July 2, 1961 - Killed in a Car Wreck 4 days later. Mom needed the money. How did that happen? Scott LaFaro was born 64 years ago today. LaFaro-Fernandez: Scotty and I were born in New Jersey but we moved back to Geneva in 1942. Composer: Mercer / Kosma / Prevert They worked together with vocalist Dick Haymes, whose road show included dancers and a comic. Member Of . LaFaro and his stellar bandmates pianist Don Friedman and drummer Pete LaRoca run through four jazz standards, including two takes of Sacre Blu. He was excited. He was visiting some friends west of Geneva and was driving home late when he crashed. Chops: What Bassists Listen for in Drummers, The 10 Best Jazz Albums of the 1950s: Critics Picks, Year in Review: The Top 40 Jazz Albums of 2022, Year in Review: The Top 10 Historical Albums of 2022, Chops: What Bassists Listen for in Drummers. Bassist Scott LaFaro of Geneva had already achieved acclaim when he died in a car accident at the age of 25. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. Sometimes its defined by contrasting stylistic paths that amalgamate into a career, as with Miles Davis. Paul Motian was on drums, Nobby Totah on bass. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. We never got to enjoy it as a concert venue in our day, unfortunately. The Complete Village Vanguard Recordings, 1961, "The 100 Greatest Bass Players of All Time - BassPlayer.com", "It was just one afternoon in a jazz club forty years ago", "It's official: April 3 will be Scott LaFaro Day in Geneva", "Innovation and Inspiration: Geneva celebrates the life and legacy of renowned jazz musician Scott LaFaro", "Honoring Scott LaFaro in Geneva, NY: Scott LaFaro Day, street re-naming, and a special Geneva Night Out on April 4th", NAMM Oral History Interview with Helene La Faro, https://en.wikipedia.org/w/index.php?title=Scott_LaFaro&oldid=1141284283, CS1 maint: bot: original URL status unknown, Articles with dead external links from July 2021, Short description is different from Wikidata, Pages using infobox musical artist with associated acts, Articles with unsourced statements from October 2022, Creative Commons Attribution-ShareAlike License 3.0. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. He waited until we got interested, and then he was totally supportive. LaFaro-Fernandez: On Sundays our family would go to church, then go to the movies in the afternoon. Remembering Geneva's jazz legend Scott LaFaro: An interview with his sister Helene LaFaro-Fernandez - Smith Center for the Arts Smith Center for the Arts CONTACT US 82 Seneca Street Geneva, NY 14456 315-781-5483 BOX OFFICE Tuesday-Friday 10am-4pm ADMINISTRATIVE OFFICES by appointment boxoffice@thesmith.org It was released in 1962. Rocco Scott LaFaro (April 3, 1936 July 6, 1961)[1] was an American jazz double bassist known for his work with the Bill Evans Trio. Cloudflare Ray ID: 7a154b16ff047cd4 Postings here are the last known photographs or videos of a person. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". Joining Palombi on this date are Don Friedman and Eliot Zigmund. The group attended the funeral in Geneva, which Kuhn adds was closed casket., LaFaro's death was devastating to Bill Evans. We are in a fix! Then wed go home and have dinner and ice cream. Genres. Yes, the Evans dynamic provided him with a perfect setting. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. You can email the site owner to let them know you were blocked. Beginning in 1955, he was a member of the Buddy Morrow big band. LaFaro is one of those players who register to the ears like more than one man, generating a huge amount of sound with ostensibly little effort, and that sound resonating as direct, controlled, economical; this is part of the reason why. At the time it was such a revolutionary idea, and it ushered in a sea change for jazz. When Scotty came east to play with Goodman, he shared a cold-water flat in the East 70s with Freidman that went for $18 a month. Showing all 2 results. Dont get fancy, no double beatsPlay whats written.LaFaro flew east, passed the audition, and signed on for a six-week tour of one-nighters with Goodman. For Evans, Misery offered a glimpse of a relationship to come., Two months later, on December 28, 1959, the Bill Evans Trio made its premiere recording for Riverside,Portrait in Jazz. Grit is not a LaFaro staple, but that does not mean texture isnt. Joe LaBarbera, who drummed in the trio with Evans and Johnson, says, Bill said regarding Scott and the music, that Scott hated it when it remained the same. He was playing mandolin and violin publicly by age 7. This year The Smith is excited to have National Endowment of the Arts Jazz Masters, Kenny Barron (piano) and Dave Holland (bass), together on stage on Saturday, April 6. Read more about this topic: Scott LaFaro, Time is here and youll go his way.Your lung is waiting in the death market.Your face beside me will grow indifferent.Darling, you will yield up your belly and becored like an apple.Anne Sexton (19281974), Poor fellow never joyed since the price of oats rose, it wasthe death of him.William Shakespeare (15641616), Ai! In the mid 1950s, at the Los Angeles music scene, he became known as one of. Evans also went on hiatus after LaFaro's death for a period of several months. Active. 1950s - 1960s. Stan was playing a melody, and Scott began doubling it. Haynes shared with Scotty a fastidiousness about clothing, and hed just been named toEsquiresBest-Dressed list. . He would practice for hours: he had all these Sonny Rollins solos he had written out in bass clef! Taking a tip from Red Mitchell, he trained himself to pluck the strings of his bass with his index and middle finger independently. Search for: Search. Your family ended up following Scotty out to California. Read about our approach to external linking. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world." Scott Yanow. In sum, LaFaro visited Geneva, his home town, spent some time with some local friends, drove one of them to visit a mutual friend, left to return to Geneva, fell asleep at the wheel, hit a tree near Flint, NY, seven miles east of Geneva, and burned to death. LaFaro spent most of his days practicing his instrument. After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. Jazz. As he put it, being out with a leader who was a junkie put him at risk of being strandedThe tensions ebbed and flowed [that] afternoon, but strangely enough we were accomplishing what we had set out to doThe lesson to be learned here is probably something about the value of professionalism., While LaFaro was cautious about touring with Evans and eschewed drug use (Kuhn says he was healthy as a pigdidnt smoke, drink, use drugs, but he liked to drive fast), he was intrigued by Bills interest in Zen meditation, which he practiced and discussed with Helene when he stayed with her during a Getz engagement in L.A. Buddy Morrow Orchestra, who was then playing alto with Benny Goodman in New York also on! Between Getz, Ornette, and he was doing organization to work in Angeles... Chuck ; Campbell, Jeffrey R. ; Palombi, Phil ( 2009 ) then four years later lost son... 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